There is a moment, at the end of October, when the light changes. It arrives lower, warmer, more forgiving — and the table, which in summer lived outdoors among citrus and white linen, moves back inside. This is when the autumn table begins.
The foundation: pure linen
Our new Fall Winter tablecloths are woven in pure linen and garment-dyed, so that colour lives inside the fibre rather than sitting on its surface. The palette follows the season itself: Canyon, the tone of earth after rain; Castagna, deep and enveloping like roasted chestnuts; Moro, an intense brown that absorbs candlelight; Oro, a muted glow that recalls late-afternoon sun on stone. Linen at this weight falls generously, almost to the floor — an invitation to linger.
The layer: Fall Winter napkins
We believe the table is an open story, never a rigid set. Napkins from the Fall Winter collection are made to be mixed: tone on tone for a quiet, monastic elegance, or in deliberate contrast — Oro on Moro, Canyon on Castagna — for a table with more voice. There is no wrong pairing; there is only your pairing.
The presence: porcelain, glass, objects
On this warm foundation, our tableware finds its place. Hand-crafted Limoges porcelain, with its quiet white surfaces, becomes almost luminous against dark linen. Mouth-blown glass catches the candlelight and returns it, no two pieces alike. And a single sculptural object — a hand-made ceramic vase, a bronze piece placed off-centre — turns a set table into a still life.
The art of the autumn table
Dressing the table is, for us, a form of care. It asks for slowness, attention, and the pleasure of choosing — the same values that guide everything we select. This autumn, let the table be where the season is welcomed: warm tones, natural fibres, honest materials, and time spent together.
The Autumn Table setting — tablecloths, napkins, porcelain, glassware and design objects — is available exclusively to our Private Community members.
